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Entry YGy4MXQV
Essays in the Art of Writing
Ch.: 15Status: In progressLang: EnglishRevised:
Contents
15 chapters · No sample pagesChapter held in the app- 1.Chapter 1app
- 2.Chapter 2app
- 3.Chapter 3app
- 4.Chapter 4app
- 5.Chapter 5app
- 6.Chapter 6app
- 7.Chapter 7app
- 8.Chapter 8app
- 9.Chapter 9app
- 10.Chapter 10app
- 11.Chapter 11app
- 12.Chapter 12app
- 13.Chapter 13app
- 14.Chapter 14app
- 15.Chapter 15app
Abstract
Robert Louis (Balfour) Stevenson (1850-1894), was a Scottish novelist, poet, and travel writer, and a leading representative of Neo-romanticism in English literature. He was greatly admired by many authors, including Jorge Luis Borges, Ernest Hemingway, Rudyard Kipling and Vladimir Nabokov. Most modernist writers dismissed him, however, because he was popular and did not write within their narrow definition of literature. It is only recently that critics have begun to look beyond Stevenson's popularity and allow him a place in the Western canon. Stevenson was a celebrity in his own time, but with the rise of modern literature after World War I, he was seen for much of the 20th century as a writer of the second class, relegated to children's literature and horror genres. His works include: An Inland Voyage (1878), Familiar Studies of Men and Books (1882), New Arabian Nights (1882), Kidnapped (1886), The Merry Men and Other Tales and Fables (1887), Memories and Portraits (1887), Memoir of Fleeming Jenkin (1887), The Black Arrow (1888), and Master of Ballantrae: A Winter's Tale (1889).
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Cross-references
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- False Emergency1 chapter readable here—In progress
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- The Stand-In In My Wedding Portrait1 chapter readable here—In progress
- Not Your Billionaire Daddy1 chapter readable here—In progress